POD - PRINT REVEIWS - 2020
Things you need to look for when contracting your title for POD / Print services.
Quality
POD/Print quality is very important, as you do not want the pages falling off the spine. You also want the option of white paper or cream. You also want to make sure the publisher produces professional cover art. Ask to see cover art samples. You want your book to be produced in the most professional manner, don't settle for less. It is the publishers job to add the correct pagination, headers, title, copyright page and correct TOC if needed. A good publisher will make sure all parts of the book are professionally produced - not just accept what you give them. Authors write and publishers publish!Service
Service is very important. Companies that do not provide phone numbers or an email address drive people crazy. There is no reason for a company to hide. People still like talking to people or they want to know the email they are sending is going to an actual person. It is a digital age and digital online services are great - however a real person needs to be on the other side. Hats off to those companies that offer phone, email and online chat support. If a company makes it hard for you to call or email a real person - run the other way!
Distribution
This is one of the key to factor in choosing a company. You want them to lay the platform for your book to be successful. Therefore you want the best distribution possible. Do not settle for just distribution to Amazon - Amazon is not the only game in town or in the world for that matter. At a minimum you need - Amazon, Powell's, Gardeners, Barnes and Noble, Baker and Taylor and Ingram. (this section is the most important benefit to authors as per author interviews) As an added bonus you really should make sure your publisher also distributes to public libraries, university libraries and bibliography database sources.File Submission
Some companies are limited in what files they accept - however the truth of the matter is the best results are going to come for the native file that the manuscript was written in. One misconception is that everyone thinks a PDF is a good thing. FACT - a PDF is not a source file. A PDF is a snapshot of the original file in the first place. You cannot create a PDF unless you have a file to create it with - therefore the native file does exist somewhere. Don't give the PDF to the publisher, give the native file whenever possible. If you submit a PDF and the publisher is not pro-active, they will use the PDF solely and substandard results will apply.Royalties
Royalties on POD / Print is slightly different than ebook royalties. Publishers can control this a lot more than ebooks. Most publishers are still working off the old traditional method of PRINT royalties which is 55/45 or 45/55 or even less. 55% to author or 45% to author. You as the author really want to retain 60%. We have seen some convoluted systems that publishers are using for POD/Print royalties and we got really dizzy. Most made no sense or when it was all said and done the author walked away with as little as 10% although on the surface it looked like more. The rule of thumb is the retail price, minus the print cost, minus any fees the bookseller takes is the royalty. Now how much of that royalty do you want to give away to the publisher? You should go with a publisher that does not take any of the royalty but charges a small nominal fee for processing. Again - like with the ebooks, any publisher that wants more than 10% - run in the other direction! One last word on this subject - also what is good is if you can get the publisher to agree to just a flat amount, that will be the same number for every book sold instead of a percentage. This can work to your advantage.